Shani Bensimon



Silk–Mulberry

An ancient pact between plant and insect becomes a new material.
The mulberry tree evolved molecules to repel animals; Silk moths evolved enzymes to undo them. An evolutionary arms race, now re-staged in a new theatre.

Fibroin- the protein spun by silk moths, and mulberry- the plant they feed on- are reunited here, synergistically:
Fibroin proteins are extracted from discarded silk garments and recrystallised within mulberry fibres, forming an ultralight sheet: delicate, glasslike, yet unexpectedly strong. It holds folds and transmits light in ways neither silk nor paper can alone.

Their co-evolved properties converge into a new composite, a material with programmable qualities of stiffness, translucency, and resonance.

An experiment in how biological affinities might be engineered into new  architectures.

2025

Mullberry fibers, silk protein, rose madder pigment






A detailed technical description is available for collaborators and interested readers (password required) [link].

The separations of the seas


In Babylonian mythology, the world was created through the division of the primordial sea into fresh water and salt water.

A tiny time capsule- or perhaps still an ongoing event:

Sculpture formed from an egg membrane filled with fresh water, placed in the ocean.

The semi-permeable skin allows water molecules to pass, but blocks salt ions.

The outer calcium shell dissolved; calcium ions rearrange within the sculpture, echoing the calcium waves that mark the first sign of life in humans and other animals.


2024





Measure of Man ( Suited)


Horse Hair Canvas, Lapis Lazuli

The painting's width is tailored to the measure of the painting owner’s cubit; 
the length is that cubit, in ratio to the fine-structure constant: a dimensionless number that links matter across scales, from atoms to the cosmos.

Horse hair canvas is a material traditionally used in fine tailoring.

2025- work in progress


Anointed Painting



oil on canvas,  Anointing oil


50x80cm
2024- work in progress

Vision of The Vally of Dry Bones



oil on canvas, oil on wood

18x13cm each

2025


Constable’s Pine tree, today
John Constable’s Pine tree, c.1833
distilled turpentine
Volatile Organic Compounds

I collected resin from Constable’s pine tree and distilled it into turpentine. The turpentine is intended for conservation laboratories to restore Constable’s paintings.

Turpentine is a solvent-highly volatile-but it also reunites and stabilizes fragmented layers of paint: a transparent, conceptual painting nested within Constable’s own.

2024-2025




Volatile organic Compounds II


a by-product of the distillation is rosin- a material traditionally used in aquatint copper etching.

Copper etching monoprint, aquatint. 

A single layer of oil-based ink was applied to the copper plate; the clouds were then painted with constable’s tree turpentine, dissolving the ink into transparency.

2024







The Golden Bough


Gold particles attached to the tips of pine needles. On stormy days, the branch might appear to some walkers in the forest as a faint purple glow - an intensified form of St Elmo’s Fire.

2025-work in progress 





Lipstick Mark

wax on cotton

monoprint 

40 x 30 cm

2019